History of Nude Painting in Art Renaissance Era

History of Nude Painting in Art Renaissance Era - 15th to 17th centuries

Rubens     Leonardo Da Vinci    Titian     Tintoretto   Giorgione    Botticelli    Van Loo    Correggio

In the Italian Renaissance, art returns to the past towards the search for ancient art from Rome and Greece, bringing a huge amount of architectural ruins and sculptures that become canonical models, artists will follow from now on. This recovery begins in Florence in the first decades of the 15th century, spreading in a very short time throughout Rome throughout northern Italy.

Still in the Middle Ages in the year 1300 approximately some sculptors made images that they took directly from classical works with the old model, but they are only small exceptions to the medieval rule that reigned at that time is in the second decade of the following century when so definitively the new classic concept is consolidated.

The pioneers of the Renaissance nude are for example the painter Masaccio and the sculptor Donatello, who manage to impose classicism thanks to their particular talent with purely classical motifs in Christian contexts without contradicting the basic feelings that the work should convey.

Tintoretto

Renaissance Nude Paintings

Tintoretto, Susanna and the Elders, 1555 - History of Nude in Art Renaissance Era - 15th to 17th centuries
Tintoretto, Susanna and the Elders, 1555  Amazon Print - Renaissance nude paintings

 

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The Quattrocento - Renaissance Nude Paintings

The Nude Painting in Art Renaissance is adopting various sources according to the tastes of the courts for which artists work. The courtly character of much of Renaissance production conditions the interpretation of the classical nude. Values ​​are beginning to be adopted in these Italian courts with a taste for Platonic philosophy, Christian symbolism, mixed with pagan ones. This is directly reflected in the pictorial compositions bringing together numerous nudes inspired by antiquity and which also take on many symbolic and allegorical meanings.

Sandro Botticelli

The Birth of Venus (1484)

Tempera on canvas, 184.5 x 285.5 cm, Uffizi, Florence

Renaissance Nude Portraits

The Birth of Venus (1484). Tempera on canvas, 184.5 x 285.5 cm, Uffizi, Florence - Nude Painting
The Birth of Venus (1484). Tempera on canvas, 184.5 x 285.5 cm, Uffizi, Florence - Renaissance nude paintings

The Birth of Venus (1484). Tempera on canvas, 184.5 x 285.5 cm, Uffizi, Florence - Nude Painting
Print on Amazon.com The Birth of Venus (1484). Tempera on canvas, 184.5 x 285.5 cm, Uffizi, Florence - Nude Painting

Raphael

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Raphael Renaissance nude Painting
Raphael Renaissance nude Painting

Botticelli

on Amazon

 

Botticelli Nude Art - Naked baroque,
Botticelli Nude Art - Naked baroque,

 Leonardo da  Vinci

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Raphael Renaissance nude Painting
Leonardo da Vinci  Renaissance nude Painting - classic nude paintings

Nudity in Renaissance: Splendor of the Nude

In the final stage of the Renaissance, he passed in a splendid way to Baroque Art which is not exclusively an Italian art. Italy, is the main reference point, the classicist values ​​spread throughout Europe and the great masters come from both the North and the South.

Titian

Venus recreating herself with Love and Music

Renaissance nude paintings

"Venus recreating herself with Love and Music", by Titian, part of the exhibition "Splendor, myth and vision: nudes of the Prado" Nude in Art Renaissance
"Venus recreating herself with Love and Music", by Titian,  Prints on Amazon - Nudity in Renaissance

 

In the Baroque, the classical nude reaches the maximum degree of expressiveness, it is the Venetian artists of the 16th century who mark the climax of the full Renaissance. At this maximum point we can name great artists from Venice such as Titian, Veronese and Tintoretto, it is the three of them who manage to express the main premises of the classical nude, achieving it as a harmonic unit. From the extraction of form rather than from the scrupulous aberration of nature.

The harmonious nudes of Raphael - Raffaello Sanzio would be the obligatory starting point for all classicist artists and painters.

Renaissance Nudes:  Raffaello Sanzio

The three graces, 1504-1505.

Oil on wood. 17 x 17 cm. Condé Museum, Chantilly

The Three Graces Nude Painting in Art Renaissance
Nude Painting in Art Renaissance -Baroque nude - The three graces

 

The theme of the Three Graces comes from Greco-Roman antiquity.

Her names in ancient Greece were:
Aglaya (Beauty), Euphrosine (Joy) and Talia (Abundance)

Her names in ancient Rome were:
Cástitas (Chastity), Voluptas (Voluptuousness) and Pulchritudo (Beauty)

In their plastic representation they are identified as companions of Venus, and then, as qualities of Love. In this way, they appear as three female nudes, since Venus or Aphrodite is the goddess of love and sex, and one of her attributes for recognizing it is nudity.

Rafael's work is perfectly harmonious: from the composition, the sinuosity of the postures and their serenity, the light and the color. It is a good example to understand why it had so much influence on later art, reaching it to spread through academic circles for several centuries. There is no Time in this image, because we are before divine figures, for whom time and the future have no meaning.

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Nude in Art Renaissance: The Baroque

The Baroque takes the Renaissance values ​​to the maximum, including to the extreme of their possibilities. The purpose that had motivated the highest creations was the climax of the Renaissance. This baroque movement spans the end of the 16th century and the middle of the 17th century and is an art whose presence is imposed throughout all of Europe. Italy continues to occupy the center of artistic creation but local and national schools develop their own independent forms, however, they share many common characteristics giving a stylistic unity to the art created throughout this era.

Danae receiving the golden shower, painting painted in the 16th century by Titian, exhibited in the Prado Museum.

Leonardo Da Vinci 

Leda and the Swan

Leonardo Da Vinci - Leda and the Swan Nude in Art Renaissance
Leonardo Da Vinci - Leda and the Swan Nude in Art Renaissance - Prints on Amazon -  Renaissance Nude Paintings

Baroque became a common style throughout Europe and at this time artists moved freely from one country to another. In this way they have access to news and models that must continue to continue two great artistic traditions. We are referring to the Nordic, the Southern, the Gothic and the Classical. Northern painters tend to be nude more attached to objective facts that shape the human form.

Southern artists give a more abstract version of the nude looking for simple and valid forms in themselves. These differences still persist and are noticeable in many figurative works of contemporary art.

 

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Giorgione - Giorgio Barbarelli da Castelfranco

Sleeping Venus (1508)

Renaissance Nude Portraits

 

Sleeping Venus (1508). Giorgione (Giorgio Barbarelli da Castelfranco). Oil on canvas, 108.5 x 175 cm. Old Masters Picture Gallery, Dresden.
Sleeping Venus (1508). Giorgione (Giorgio Barbarelli da Castelfranco). Nude in Art Renaissance

 

Charles-Andre Van Loo

Renaissance Nude Paintings

Renaissance Nudes

Naiad -Charles-Andre van Loo - Nationalmuseum, Stockholm, Sweden
Naiad -Charles-Andre van Loo - Nationalmuseum, Stockholm, Sweden - Nudity in Renaissance

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Peter Paul Rubens:  Venus, Cupid, Bacchus and Ceres

Baroque Nude Painting

Peter Paul Rubens:  Venus, Cupid, Bacchus and Ceres - Baroque Nude Painting
Peter Paul Rubens:  Venus, Cupid, Bacchus and Ceres - Baroque Nude Painting

Correggio (Antonio Allegri) - Danae

 Oil on canvas; 74 3/16 × 86 13/16 × 4 1/2 in. Galleria Borghese

Nude Painting

Correggio (Antonio Allegri) - Danae - Renaissance Nude Art
Correggio (Antonio Allegri) - Danae - Renaissance Nude Art - classic nude paintings

Tages

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