Collectible Coins: American Revolutionary Coins Countermarked in Philippines

American Revolutionary Coins Countermarked in Philippines 

A collaboration of Marty Martinez

The circulation of the Philippines at the time of Spanish domination consisted of coin minted in other regions, mainly Potosi, Peru and Mexico, with the same denominations as in the rest of the colonies.

From the independence of the American colonies, there was a retraction in the circulating in this zone. For this reason should have appealed to a very curious policy: the reselling of currencies. Potosí, Peru and Mexico were alternated several times by Independents and Spaniards between 1810 and 1828.

1866

2 Pesos Isabel the Second by the Grace of God

1866 2 Pesos Isabel the Second by the Grace of God Philippine Resealed Coin

As a result, the independentist minted their own currencies (Potosi: Bolivia and Argentina), Lima (Peru) and Mexico. Apparently when the Spaniards occupied these places again, they also appropriated the new mints, some of which were sent to the Philippines by the Pacific route.  Thus, circulated from 1828 Peruvian independence coins, Mexican and Bolivian in Philippine, with the Spanish denominations.

Circulated coins,  were also circulated after 1828, which for different reasons, arrived on the island. It should be noted that the Spanish monetary system at that time was adopted by all American countries (including the United States and Canada). Also some countries of Africa, and it meant what today is the dollar-USA monetary system. Denominations of the currencies of the new countries were also made in Reals.

Peruvian Republic - Lima

Coins Resealed. by Fernando VII for its circulation in Manila (8 reales). resealed of 1828 on 8 reales of the Peruvian Republic, Lima, 1828, assayer JM

Republic of Peru - Coins Countermarked Philippines
Republic of Peru - Coins Countermarked Philippines

Republic of Chile

 Chile Republic : Over 1 Peso  1834. Resealed by Fernando VII in Manila for its circulation in the Philippines (1834-7).

Republic of Chile- Philippine Resealed Coin
Republic of Chile- Philippine Resealed Coin


Republic of Peru - Lima

Philippine Currency 1833. Columns resealed. Republic of Peru. 8 reales. Lima. 1833.  Resealed by Fernando VII in Manila for circulation in the Philippines (1832-4) assayer M

Republic of Peru - Philippine Resealed Coin
Republic of Peru - Philippine Resealed Coin


 

1834. Republic of Peru - Philippine Resealed Coin Under Crown, eal de a 8 de Perú 1834, Lima MM. MBC
1834. Republic of Peru - Philippine Resealed Coin Under Crown, eal de a 8 de Perú 1834, Lima MM. MBC

 


Bolivian Republic - Potosi

Bolivian Republic. 8 soles. Potosí. 1833. LM. Resealed by Fernando VII in Manila for circulation in the Philippines (1832-4)

Assayer LM

Republic of Bolivia - Coins Countermarked Philippines

 

Republic of Mexico - Guanajuato

Coins Countermarked Philippines: Republic of Mexico. 8 reales. Guanajuato. 1830. MJ. Researched by Fernando VII in Manila for circulation in the Philippines (1834-7). Assayer MJ

Mexican republic - Philippine Resealed Coin
Mexican Republic - Philippine Resealed Coin


 

Republic of Mexico - Durango

 Republic of Mexico. 8 reales. 1828. On an 8 reales of Durango of 1828. Resealed by Fernando VII in Manila for its circulation in the Philippines (1834-7).

Republic of Mexico Durando - Coins Countermarked Philippines
Republic of Mexico - Coins Countermarked Philippines


See another resealed coins: Museu  Nacional D´Art de Catalunya

From 1810….

From 1810 the independentistas minted coins with types clearly differentiated from the Spaniards. As the American currencies of all securities circulated through the territory of the Philippines, the authorities realized the negative effect that these currencies could have there. Therefore, on October 13, 1828, the Captaincy General decreed that all coins should be resold with the following type:

On the obverse, the coat of arms of Spain with the legend; ENABLED BY KING N. S. D. FERN. Vii.

On the reverse, MANILA with the corresponding year that is almost always 1828.

see: Numismatic: Argentine Ancient Coins 1813-1860

Design of Coins - Assayers

Design was completed with a series of grooves engraved.  on the obverse die that in principle would erase any trace of Republican legend. This was not so, this first type is known as type I and the same were coined the year 1828 and the very rare of 1830. From the year 1829 we know a 8 escudos.

The reverse remained the same but from the obverse disappeared any legend or drawing leaving only the coat of arms. Dr. Pablo I. de Jesus de Manila has written a study on this series for which he has found about 400 different copies.

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Clearing the Revolutionary - Coins Countermarked Philippines

Past On October 13, 1828, D. Mariano Ricafort, Captain General of the Philippine Islands, a division of the Viceroyalty of Mexico, issued an edict introducing a system of marking the weights and ounces of gold produced by the “insurrect provinces and revolutionary governments “Of the South American continent. Thus, infamous words, such as “Republic”, “Independent” and “Free”, were eliminated.

The heavy machinery of the mint smoothed the designs of the offending coins and attempted to eliminate any trace of the original coin by minting “Manila -1829” on one side and the Spanish coat of arms on the other, with the legend “Enabled by King N.S.D. Fernando VII “and surrounded both wedges by a wide sawed edge.

Medal Carlos III  1782 

José Gabriel Gil  Assayer

Carlos III of Spain - Philippine Resealed Coin
Carlos III of Spain Medal

Local authorities clung to the hope that with these methods they could prevent the spread of the announcement of “Union and Freedom” carried out nineteen years earlier by the rebel provinces of Río de la Plata.

  • “Union y Fuerza”, proclaimed ten years before By “Independence of Chile,” issued thirteen years earlier by Nueva Granada.
  • “Por la Virtud y la Justicia,” proclaimed a decade earlier by Peru,.
  • “Libre, Cresca, Fecundo” spread by the Central American Republic ( Guatemala ) only eight years ago , And the even more recent declaration of sovereignty of Bolivia “Libres por la Constitucion”.

Coins Countermarked Philippines: Circulation only in Phlipines

These coins did not circulate in Spain,  and they did until its replacement by a currency of the Kingdom that is shown below. The mint of Manila only coined throughout its history copper (between 1728 and 1835 and the year 1861). Because this weight, in quantity of six million pieces and with types equal to the hard ones of Puerto Rico of 1895, was carved in Madrid, and transported to the Philippines where it circulated until in 1904 it was withdrawn from circulation by the American authorities.

1861 - Inauguration of Manila's Mint House - Philipines

 1861 Isabel 2a Queen of Spain. Medal


With Alfonso XIII the last pieces destined to Ultramar are minted with the values ​​of 5, 10, 20 and 50 cents of weight. In addition, the so-called “alfonsino weight” is emitted in two issues, one of 1897 destined to circulate in the Philippines and another one of 1895 to circulate in Puerto Rico.

The latter had a divider of 40 cents. The “alfonsino weight” is equivalent to the 5 pesetas  of the Metropolis. Alfonso XIII was king of Spain between 1886 and 1931, dying in the Roman exile in 1941.

Spain – Coined Manila. 50 cents in weight. 1868 Isabel 2a instead of II, Queen of Spain. Coins Countermarked Philippines

Coins Countermarked Philippines


Philipine Coin Manila 50 Cents 1880 - Alfonso XII 

Spain – Coined Manila. 50 cents in weight. 1880. Alfonso XII King of Spain. Coins Countermarked PhilippinesCoins Countermarked Philippines

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Alfonso XII  – Coined Manila 20 Cents 1885

Spain – Coined Manila 20 Cents in weight. 1885. SGV (Arturo Sandoval and Antonio García González, assayers, Remigio Vega Vega, judge of Balance). Coins Countermarked Philippines

Philippine Resealed Coin

GUAM - 1899 Philippine Resealed Coin

In the year 1899, to leave testimony of the occupation of the island, the admiral of the fleet American F. V. Green used a countermark on Philippine island weights that contained the word "GUAM" and the year of occupation

GUAM - Coins Countermarked Philippines
GUAM - Coins Countermarked Philippines

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Treadwheel crane on Salisbury Cathedral

Treadwheel crane on Salisbury Cathedral - England

Treadwheel on Salisbury Cathedral is from the 13th century (1220-1320.) And has the tallest tower in the UK, 123 meters (404 feet). The wheel crane is the original one used in construction. The same as the existing scaffolding on the spire tower. As the tower approached completion, the removal of the wheel crane was considered. This was quite common, as the crane can be dismantled and reused on another site. It also adds weight to the structure. But it turns out that because the crane was leaning, so much wooden shoring was added to it that it prevented its total removal. It was also partially dismantled and in its original location under the roof.

Treadwheel crane on Salisbury Cathedral
Treadwheel crane on Salisbury Cathedral

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TreadWheel Crane Details

In the 18th century lightning damaged the tower, so the wheel crane is reassembled for repair work. So it remained until today. They say the crane is empty (no rope or load) so well balanced that it can be moved with just one finger. The axis, in the 18th century was reinforced (8), adding four additional minor axes. Planks were placed on the inside circumference of the Wheel, providing a surface for the crane operators.

 

The 3.3 meter (10 feet 10.5 inch) diameter of the wheel makes walking inside the wheel hoist torture for the operator. Even for a person of short stature. You had to walk in a stooped position, the only way to operate the crane. According to the Cathedral staff, although it is not used, the wheel crane is in operating condition

Treadwheel crane on Salisbury Cathedral
Treadwheel crane on Salisbury Cathedral

 

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Curiosities of the CathedralThe cathedral remains undamaged to this day. And it is because it was one of the few cathedrals, in the south of England, not to be attacked by the Luftwaffe. This was during the Battle of Britain in WWII. As the story goes, the residents of Salisburys during the war were astonished because in the areas adjacent to the cathedral, far fewer bombs fell than in the rest of the city.

 

They were probably convinced that the cathedral should protect them. It turns out that, after the war, a Luftwaffe officer reported that all pilots received strict instructions never to bombard the cathedral, as its spire was so tall and unique that it served as a perfect landmark for the aircraft they sought. orientation. The cathedral also has the oldest and best-preserved copy of the Magna Carta. This document apparently can be seen but not photographed.

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Erotic Pompeii: The City was really so obscene?

 

Erotic Pompeii: The City was really so obscene? : A little of History.

Erotic Pompeii: Traveling to a Different Pompeii, we will answer that question.  Pompeii is located in the south of Italy. barely two hours away by train from Rome. The story is quite familiar. The city is located on the slopes of Vesuvius, a volcano that on August 24, 79 AD, broke and buried the city in a sea of ​​ash. More than 20,000 people died in that event.
It remained in oblivion until the eighteenth century, when under the domination the location of this city was rediscovered (the name was not even known) and excavations began.

 

Centennial House - Fresco of the two lovers-EErotic Pompeii: Traveling to a Different Pompeii, we will answer that question.  Pompeii is located in the south of Italy. barely two hours away by train from Rome
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The Excavations Show

Thermal baths, luxury residences, free diving houses, gymnasiums, artisan workshops and brothels were gradually appearing. In those places there were architectural remains such as mosaics, frescoes and sculptures. Some of them almost intact.
These findings speak of a sophisticated, well-off and evolved life. We must bear in mind that part of the aristocracy of the Roman era, had its villas in Pompeii and made tourism in that city and on the nearby island of Capri.

House of the Fauno -satyr and nymph-Pompeii -Erotic Pompeii: Traveling to a Different Pompeii, we will answer that question.  Pompeii is located in the south of Italy. barely two hours away by train from Rome
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Also appeared part of the erotic life of pompeii. frescoes, murals, sculptures, lamps, amulets and even artifacts that we do not yet know their use and meaning.

House of the Epigrama - Satyr that hugs a Nymph. -Pompeii was really so obscene? Traveling to a Different Pompeii
House of the Epigrama - Satyr that hugs a Nymph.

Wide Freedom of Customs

Touring the streets and houses of Pompeii, the paintings and bas-reliefs with erotic motifs ranging from "Satyr and Maenad" (House of the Faun) or "Pan and the Hermaphrodite" (House of the Dioscuri), Some are sexually explicit as the " Priapus with his phallus "(House of the Vetii).

Phallus Lantern - Archaeological Museum of Naples -Pompeii was really so obscene? Traveling to a Different Pompeii
Phallus Lantern - Archaeological Museum of Naples

The paintings are not limited to private places, such as the lupanar (brothel) or public baths, but can also be seen inside private homes, gardens and public use spaces shared by all. You have in the streets with phalluses signaling the sense of traffic.

 

 

Aphrodite Anadyomene - Vettii House Pompeii
Aphrodite Anadyomene - Vettii House Pompeii

 

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Erotic Pompeii - Phalluses on The Streets

One of the possible explanations was these images had ritual or religious value, and linked the phallic figures with the force generating or creating nature. They were also used to give good luck to a commercial establishment. 

Phalluses on the Walls of Pompeii Houses. for Prosperity-Pompeii was really so obscene? Traveling to a Different Pompeii
Phalluses on the Walls of Pompeii Houses. for Prosperity - Pompeii was really so obscene? Traveling to a Different Pompeii

Under Protection of the Gods

Erotic artifacts were found from the seventeenth century, and accumulated outside the view of the public in the Borbonic Museum (now Archaeological Museum of Naples), where I created a special room to store them.

Phalluses on the Walls of Pompeii Houses. for Prosperity -Pompeii

 

Gabinetto Segreto - Obscene Objects Cabinet

In 1817 a first selection of artifacts was made to exhibit in the museum. In 1819, King Francis I of the Two Sicilies visited the Pompeii exhibition and the National Archaeological Museum of Naples with his wife and daughter. There he was scandalized with erotic art in such a way that he ordered it to be removed from the public view and confined to a secret room. Then the objects classified as obscene and indecent, were confined to the special room without any kind of order and the door was sealed at that time. Only in 1860 the room was opened and the artifacts were inventoried.

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Tintinnabulum - lucky bells - Archaeological Museum of Naples

 

The secret room (Gabinetto Segreto in Italian) was opened with a special order obtained only by mature gentlemen of good manners. Also after having paid a large amount of money. In the same ruins of Pompeii, screens were placed on frescoes and obscene paintings and only with special invitation and payment were they shown to select tourists.

Lupanar - Brothel - Pompeii (2)-Pompeii was really so obscene?-
Lupanar - Brothel - Pompeii

 

 

ETSY  Painting Prints

Eros Happened

Over the years the room remained closed until Giuseppe Garibaldi ordered it to be opened again. That happened in 1860 during the Italian unification and when Garibaldi conquered Naples in that year

Lupanar - Brothel - Pompeii (3) -Pompeii was really so obscene? Traveling to a Different Pompeii
Lupanar - Brothel - Pompeii Eros

 

In 1866 a catalog of artifacts was published, but from that moment the official censorship of the Kingdom of Italy was restricting access until it was closed, in accordance with the customs and political winds of the moment.

Centennial House - Ménade and Satyr-Traveling to a Different Pompeii
Centennial House - Ménade and Satyr

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At the time of the Mussolini Dictator visits were forbidden for not agreeing the vision of the new Italy (pure) with obscene artifacts of the ancient Romans. In the Fascist era, it could be visited with express authorization from the Ministry of Education.

Pompeii was really so obscene? Traveling to a Different Pompeii

 

The censorship - Erotic Pompeii

The censorship was maintained after the end of the war until 1967, where the work of cataloging and restoring the artefacts of the obscene room was resumed.

House of the caccia antiqua. Tablinum. Fresco by Polyphemus and Galatea - Pompeii
House of the caccia Antiqua. Tablinum. Fresco by Polyphemus and Galatea - Erotic Pompeii

The room was definitely reopened to the public since April 2000. While there is no censorship of any kind, there is a legend that warns about the special content of the room. In addition, children under 14 can only enter if accompanied by their parents or teachers

House of Cecilio Giocondo Pompeii-Pompeii was really so obscene? Traveling to a Different Pompeii
House of Cecilio Giocondo - Pompeii Eros

 

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Tips to visit pompeii

  • Arrive early in the morning. Complete travel takes the whole day.
  • Wear comfortable shoes. Yes possible trekking shoes.
  • Most of the streets are made of stone blocks. Be guided when walking.
  • Bring sunscreen.
  • Head protection Hats, caps.
  • Carry the right equipment. Here more information
  • Take a guide, Arming a tour before going to avoid losing time.If you do not go on a guided tour, check the schedule of the last train to Naples or Sorrento.

What items are not allowed in checked luggage? - Travel Electronic Organizer
What items are not allowed in checked luggage? - Travel Electronic Organizer

 

 

How to get to Pompeii?

From Rome.

Train to the central station of Naples. Then in the same central station, in the subsoil is the local Trans-Vesuvian train. Ask about the Pompeii- Scavi station. The departure of trains in this station is somewhat chaotic with schedules and cancellations, ask until you make sure. This station has several branches and only one reaches the ruins of Pompeii, You can also take a bus, although we do not recommend it.

From Sorrento

Transvesuvian train in the direction of the central station of Naples. Ask about the Pompeii- Scavi station.

More info: 

 

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Medieval Treadwheel Crane in Strasbourg’s Cathedral

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We visited the Cathedral of Strasbourg 

The Cathedral of Strasbourg was the first cathedral of Germany (or Kingdom of Germania). Until the arrival of Louis XIV in 1681 and his minister of the war, the Marquess of Louvois that camped in the environs of Strasbourg and forced their submission to the French monarchy the 30 of September of 1681.

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The Cathedral was delivered by the same Luis XIV The head of the Catholic bishopric of Strasbourg, Egon de Furstenberg. Absent from the city for almost 150 years, that way ended the period as an independent city.

The Cathedral

Designed in Gothic style, it was built during the second half of the 13th century. Although originally planned as a Romanesque structure, in 1053 today there is only the crypt and the floor of that style. At the end of the main chapel, the decision was taken to construct the nave in the Gothic style (1250).

The walls were open with Gothic stained glass but the interior remained predominantly Romanesque. The main colonnades were Romanic style. And they also supported the arches. They were very separate. The proportions of the ship are 1: 2.5.

Cathedral of Strasbourg
Cathedral of Strasbourg

 

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Medieval Treadwheel Crane - Cathedral Strasbourg 

It is accessed by the side of the Cathedral, to a door that leads to a spiral staircase stone, without breaks. At the end of it before accessing the terrace on the left side you can see the Medieval Treadwheel Crane.

Treadwheel Crane in the Cathedral of strasbourg Walking paths
Medieval Treadwheel Crane in the Cathedral of strasbourg Walking paths

The same one that was used in the construction of the Cathedral. And it's still there. It was customary to leave the cranes in their original location after completion of the work, for maintenance or repair.

Medieval Treadwheel Crane Carpenters

The Medieval treadwheel crane Cathedral of Strasbourg is made of wood, manufactured by the carpenters. Like carvers, carpenters were a relatively privileged category of craftsmen. Considered for a long time the absolute masters of construction, its prestige began to decline as early as the 11th century with the generalization of stone vaults, which concealed from view its wooden structures.

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Since then, both guilds have fought, sometimes with violence, the primacy in the construction works. But they had to remain closely linked because they had no choice but to depend on one another.

The Carpenters Masters

The master carpenter directed all the works in wood, that were developed from the beginning to the end of the work. He was a very skilled technician, who could discuss with the architect the timber structures to be lifted, both permanent and temporary.

The rigging, ladders and scaffolding that would be used by masons, sculptors and glaziers to work at different heights, inside and outside the building were all made of wood.

AstronomicClock of Cathedral of Strasbourg
AstronomicClock of Medieval Cathedral of Strasbourg

They also built support machinery to lift stones and other materials. Wheel cranes, also called spinning "squirrels" and three-up raisers, are inside these machines.

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The Navy Carpenters of The Crane

Treadwheel Crane in the Cathedral of strasbourg
Treadwheel Crane in the Cathedral of strasbourg

The treadwheel crane was a piece that required a great technical skill. Perfect assemblies and combinations of forces show their relationship with naval carpentry. In regions with a strong maritime tradition, carpentry teachers shared the construction of cathedrals with work in the shipyards building ships. Both civilian and military.

The main application was the port cranes. Imitations can now be observed in different parts of Europe.

CONCLUSIONS

As can be seen in the photos this treadwheel crane is for two operators. While the word operators today is used to operate a mechanical crane, here is another thing. Two people, one on each side walk in synchronized form to lift a weight, to the control of a master of crane.

Treadwheel Crane in the Cathedral of strasbourg Walking paths
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We have no idea of ​​the capacity of this particular crane, but it can be said that approximately would be for about 1500 to 3000 lb, taking into account the external diameter of the wheel. This would be about  4.5 yards. For those who visit the cathedral of Strasbourg, before accessing the terrace, you can appreciate this legacy artifact of other times.